By Jim Barber
‘Iconic’ is a time period tossed round hither and yon when describing virtually something in in style tradition immediately that reaches a sure degree of virality. However is the epithet actually and really justified or correct for a lot of of those examples? To your humble correspondent (me) ‘iconic’ means one thing that’s immediately memorable, evocative of a time, place and feeling that may’t be repeated. It’s emblematic of an individual, place or factor the place the popularity issue is instant the response is powerfully visceral and deeply emotional. It’s one thing that attracts out highly effective reminiscences, enlivening the spirit and the soul.
Visible artwork is able to such wonders, however there’s a specific sensory, emotional and even religious expertise when one hears a music that’s really iconic. The opening notes can elevate coronary heart charges, make one cry out in pleasure, prompting one to lift their palms into the air and wave ‘em like they only don’t care.
Iconic songs can characterize a complete period of music and in style tradition, they will provoke a particular feeling, vibe and magnificence. They’re cultural touchstones elevated far above mere gross sales numbers and chart positions. They permeate different arts and cultural media, including a cache of cool viability to TV reveals, films, pop artwork, video video games and promoting.
Most of all, the resonance of those songs transcends time and house, even the place in historical past from which they originate. Their that means and affect can traverse a long time, cross continents and oceans, using radio and satellite tv for pc waves to imbed themselves into the hearts and minds of parents who’ve markedly totally different languages and cultures.
Such a music, within the opinion of many, together with the writer of this piece, is ‘Security Dance’ launched in 1982 by Canada’s Males With out Hats. It’s been featured on TV reveals corresponding to Household Man and The Simpsons, acquired the official popular culture kudos when it was parodied by Bizarre Al Yankovic [aka ‘The Brady Bunch’] has been lined by artists corresponding to fellow Canadians, The Field in addition to the forged of Glee and most just lately featured in a video/TV advert marketing campaign by Molson Breweries (one other legitimately iconic Canadian model) in the course of the NHL playoffs. It’s the largest, most acquainted and most culturally resilient music in a formidable repertoire of hits that additionally contains ‘Pop Goes the World,’ ‘Sideways,’ ‘Antarctica,’ and ‘I Like,’ and is the muse of a now 45-year profession for band founder, frontman and songwriter Ivan Doroschuk.
However this isn’t a profession based solely on nostalgia and celebrating previous honours. It’s also a legacy primarily based on continuous creativity shifting ahead properly into the third decade of the twenty first century, as Males With out Hats just lately launched a brand new single, ‘I Love the 80s’ in anticipation of a brand new album Males With out Hats on the Moon set to be issued in mid-October.
‘I Love the 80s’ is joyously reflective and boundlessly celebratory, with the composition and musical performances hearkening again to the types of sounds and sonic landscapes created by, primarily, the synth-pop bands of the Nineteen Eighties, of which Males With out Hats was on the forefront, particularly in Canada. It’s also a music with an power cultivated from Doroschuk’s apparent pleasure and sense of positivity that he believes was a trademark of that whole decade. But, it’s a music that’s trendy in its strategy and supply, and comes from the perspective from somebody wistfully looking for to reclaim that which was good from the previous, and bringing it ahead into what’s at instances a darkish, divisive and foreboding current day.
“I discover that Nineteen Eighties music has been trending for the final 10 years. It’s simply getting stronger. In all places you look there are Nineteen Eighties references. Pop music immediately is totally reliant on Nineteen Eighties sounds – massive drum sounds, synthesizers, robotic voices, the whole lot. The types are coming again, the eagerness’s coming again and persons are simply actually, actually into it. I’ve performed extra reveals this day trip with this incarnation of the band than I did within the Nineteen Eighties. There’s simply this large, large demand for Nineteen Eighties music which is nice. We’re tremendous busy. We’re touring on a regular basis. We’re heading again to Europe this summer time to do a five-week tour of Europe and Scandinavia and bits of the U.Ok. and have extra reveals coming,” mentioned Doroschuk who has lived in Victoria on Vancouver Island for greater than 20 years, after launching the band in Montreal.
“And there are a number of different songs on the brand new album which can be like ‘I Love the 80s’, when it comes to the that means, nevertheless it’s extra in regards to the general sound. We’ve simply gone again to our previous sound. We type of drifted away from it, with Sideways [released in 1991] doing a full guitar album and stuff like that. However we determined we don’t need to reinvent the wheel anymore. We’re joyful going again to our previous sound. I feel it’s the sound that individuals get pleasure from essentially the most – that Nineteen Eighties sound.”
It was in response to fan demand and a profound sense of appreciation for the tradition of the Nineteen Eighties that led Doroschuk to compose the infectious and splendidly upbeat new single, in addition to the whole album.
“We’ve been very lucky that we’ve had songs which have embedded themselves into in style tradition. There’s The Simpsons and Household Man and all these reveals. However even Glee introduced us a complete new era of listeners. So once we play reveals now, we are able to see our unique followers are there and we join with our unique followers who come out and see us, however they bring about their youngsters after which generally they even deliver their grandkids so it’s a multi-generational factor,” he mentioned.
“If the Nineteen Eighties was your teenage years, it was a decade that was actually centered on that demographic, possibly much more so than the Nineteen Fifties when the concept of {the teenager} was type of invented. You had the flicks with The Brat Pack, and there have been brilliant colors and the hair was massive and there was new applied sciences coming in; the non-public pc turned an enormous factor. There was a complete shift within the arts and generally with the whole lot having this breath of recent air. Issues had type of acquired slowed down within the Seventies, however the Nineteen Eighties actually took over and promoted the youth and what they favored. And consider what occurred with the Walkman, and the way youngsters may now take their music in all places with them. It’s frequent for everybody to have ear buds immediately and listening off their telephones, however again then this was an enormous deal [to have a portable cassette player.]”
With ‘I Love the 80s’ Doroschuk and Males With out Hats aren’t merely whistling into the wind, holding aloft the banner of the Nineteen Eighties on a lonely island. Certainly there’s a marked resurgence within the attract and appreciation for the whole lot Nineteen Eighties amongst the demographic who grew up throughout these heady days of Thriller, Again to the Future, Rambo, Cyndi Lauper and Cabbage Patch Dolls, but additionally by way of youthful generations. Doroschuk believes there’s good purpose for folks to be nostalgic and wished to deliver again the extra progressive and life affirming elements of that period.
“The Nineteen Eighties had that sound. I used to be an adolescent within the Seventies so I grew up on numerous progressive rock music, and numerous keyboards, I used to be a keyboard participant and I centered on numerous keyboard bands like Sure and Genesis and Pink Floyd and stuff like that. And I used to be additionally entrance and centre within the disco motion, and I’ve all the time mentioned that Nineteen Eighties music was progressive rock music blended with disco; it was synthesizer music you may dance to and that’s what I delivered to the desk. Nineteen Eighties music has numerous sing-alongs, there’re numerous good melodies and I feel folks simply need to get pleasure from an excellent, good melody and an excellent stable beat. Disco had acquired a foul fame; nothing was being mentioned in disco any extra, however Nineteen Eighties New Wave form of took over. It took the torch and saved operating with it. It was additionally dance music that had an enormous social commentary part to it. It was the Reagan/Thatcher years [Republican U.S. President Ronald Reagan and Conservative U.K. Prime Minister Margaret Thatcher] so there was numerous social commentary,” Doroschuk defined.
“And we did that in our music. With ‘Security Dance,’ somebody remarked in some unspecified time in the future that it was the one music they’d heard with the phrase ‘imbecile’ in it. We had this type of goofiness about us too, however the message was severe, however we delivered it in a very enjoyable method. We wished folks to know they might dance in the event that they wished to, which is in regards to the freedom to be who you might be. And it was the identical with ‘Pop Goes the World.’ The message there was we’ve acquired to start out treating Mom Earth higher or she’s going to explode. And this was the Nineteen Eighties and the ‘Inexperienced’ motion was type of model new, the entire ecology motion was simply beginning to get going, nevertheless it’s a message that individuals immediately are clearly nonetheless involved about – it nonetheless resonates immediately. So, we have been fortunate that we have been capable of type of broach a few of these grander themes in our songs, and so they’ve stayed with us and stayed present and related.”
However why is the last decade, which had no web, social media, and other people needed to go to locations known as ‘report shops’ to purchase their music, and stand in precise lineups beside and between different people to get their live performance tickets seemingly so fascinating and fascinating for the younger people?
“A part of what I take into consideration after I consider the Nineteen Eighties, particularly after I consider [TV cop show] Miami Vice, I consider their garments with the pink shirts and child blue pants and whereas fits. That look was in all places and it was infused within the music and the music movies. Plenty of the youthful individuals who come to our reveals all say the identical factor. They are saying ‘my dad and mom have been actually into Nineteen Eighties music and the whole lot in regards to the Nineteen Eighties. They have been all the time taking part in Nineteen Eighties music round the home. I grew up with Nineteen Eighties music,” he mentioned.
“And I do know there are some who’ve discovered it on their very own, however what they’ve in frequent is that there have been numerous nice melodies in Nineteen Eighties songs. So many nice songs, with nice choruses and singalong elements. And also you go to see somebody like Howard Jones and everyone seems to be singing the songs – each particular person is aware of each phrase to just about each music. It’s superior. And as I used to be saying earlier than, numerous pop music immediately is borrowing from the Nineteen Eighties. They’re dipping into the sound banks of the Nineteen Eighties music and making it their very own. They’re clearly doing their very own factor, nevertheless it’s nonetheless influenced by the Nineteen Eighties. And so many younger persons are stepping into the tradition and the flicks. So many pubs and locations have Nineteen Eighties Nights – they’ve type of taken over. And it’s not simply the older folks going. Again within the day golf equipment would have Disco Nights, however now in each metropolis, all people’s acquired 80s Nights.
“I additionally suppose a part of the explanation why the music of the Nineteen Eighties, particularly within the early a part of the New Wave sound was in style then and is interesting to younger folks now could be that it was such a breath of recent air. The entire Nineteen Eighties was about good instances, and there was additionally numerous innovation, numerous exploration in music and artwork and style – there have been a lot of folks prepared to check out new issues. And due to know-how it began to turn out to be out there to everybody. There was an enormous DIY part to music that really began with Punk however continued into New Wave. You didn’t need to be a virtuoso in your instrument. All you needed to do was have a good suggestion and you may run with it.”
It’s been 43 years because the launch of ‘Security Dance’ and it’s foolish to imagine that Doroschuk thinks and writes precisely the identical as he did again then. However there’s a sense of frequent objective and methodology between the writing course of for Males With out Hats on the Moon and people halcyon days.
“It’s not that a lot totally different. I type of grew up actually modelling my songs after The Beatles. They have been my position fashions, actually, so far as songwriting goes. So the construction of the songs hasn’t actually modified that a lot. The way in which I write songs is form of like woodshedding. I type of sit round noodling and in the future I’ll rise up and I’ll write 10 songs in every week. That’s normally the way it occurs, they only form of explode out of me. I do know it’s a craft and lots of people strategy it in a different way; lots of people rise up each day and spend two hours at their instrument and work on issues. I strategy it in a different way. I simply hang around and when the factor involves me, it comes,” he mentioned.
“Often I’m sitting at a keyboard and generally it’s a phrase that involves me first, generally there’s a much bigger idea. Typically it’s a melody, so it varies. However I normally write on the keyboard and the most important distinction from the Nineteen Eighties is that know-how has actually helped out at that finish of it. As a result of the pc has made issues so much simpler. It’s put the flexibility to make music into much more folks’s palms. Making a report again within the Nineteen Eighties was an enormous manufacturing. So it took some huge cash. It took an enormous studio and it took lots of people and numerous effort. Now it’s a unique story. You are able to do an excellent job principally by yourself. It’s turn out to be extra democratic that method, which is an effective factor. I do know some folks complain that high quality management has gone down, however I nonetheless suppose the cream rises to the highest. And it simply permits lots of people to have extra enjoyable with music. Music shouldn’t be within the management of a choose few. It must be out there to lots of people.”
After returning in 2010, Males With out Hats wrote, recorded and launched their first new album since a short-lived reunion in 2004 produced No Hats Past This Level. Love within the Age of Battle got here out in 2012, adopted by the two-parter Once more (Elements 1 and a pair of) which got here our in the course of the tail finish of the COVID pandemic.
Not each band with a legacy stretching again practically 5 a long time feels it’s essential to report new music, citing the altering methods music is consumed. However for Doroschuk, there’s a facet of non-public ambition to maintain creating, in addition to the will of followers to listen to what their favorite band is as much as creatively.
“The followers are all the time asking for brand spanking new music. They need to hear some new stuff. They love our previous songs however they’ve been listening to them for 40 years. We’re already getting an excellent response from “I Love the 80s,’ persons are saying good issues about it and are actually, actually joyful that we put this new factor out, and that there’s extra coming. So it’s a mix of issues. It’s my artistic impulse and it’s the demand from the followers and so it’s taking place. But in addition, that is what we do, you recognize. That is what I do. I’m a musician and I write songs. With new music, you’ve acquired your core group of people that need it, however with each new launch there’s the opportunity of reaching new folks and I like that concept. Additionally, that is simply what we do. If all this artistic power would keep bottled up inside, I don’t know the way it might come out in any other case. Most likely not in one of the simplest ways.”
The brand new album was produced by Brian Howes, who’s greatest identified for his work within the rock and laborious rock subject (Hinder, Skillet, Nickelback, Puddle of Mudd, Easy Plan) however who linked with Males With out Hats’ vibe immediately. Doroschuk mentioned he very a lot loved the collaborative spirit of Howes and thought they labored properly collectively.
“The entire course of for this album was fairly natural. To begin with, I acquired along with Brian, who’s on Vancouver Island right here too, so we linked and recorded a few songs collectively and had a good time doing it. It was superior, and we truly did a few co-writes collectively too, which was the primary time I’ve performed that, and it labored out nice. These songs are going to be on the album. He was incredible to work with. He introduced a lot to the desk, so for me it was like going to high school once more,” he mentioned.
Returning to ‘Security Dance.’ Doroschuk believes a part of the explanation why the music, and the accompanying video, has stood the check of time, is that the video doesn’t look or really feel dated. It’s not a hair steel vibe, it’s not poofy hair and the aforementioned brilliant pastel colors of Miami Vice, or closely androgynous look of Duran Duran, Japan, Tradition Membership and Spandau Ballet. Set in a European fashion medieval village throughout a Might Day-type celebration, there are not any up to date visible references to provide views a clue as to when the story is about, or when the video was shot.
“That was a recreation changer for us, completely. The video for ‘Security Dance’ was as instrumental because the 12-inch remix for our profession – much more so, even immediately. We’re nonetheless being served by that video. And we have been fortunate as a result of whenever you have a look at it and examine it to many of the different Nineteen Eighties movies, you form of chuckle and the hairstyles and garments. However our video is form of timeless. It’s a medieval theme. It’s like watching a Western; you don’t actually know when it was filmed. It may have been shot final week. And it wasn’t like we have been attempting to look totally different from all people else. It’s simply the concept we got here up with on the time,” he mentioned.
“And likewise timing was in our favour. When ‘Security Dance’ first broke, MTV was new, and MuchMusic wasn’t even round but, however even when it began, they didn’t have that many official movies of their catalogue so we have been getting performed on large rotation. And it completely modified my life. I went from being a no person to not with the ability to stroll down the road.”
Males With out Hats took a hiatus for a variety of years. After breaking apart in 1993 Doroschuk took till 2010 to revive the band (the tremendous brief reunion in 2003-04 not likely counting within the better scheme of issues), understanding that there was that aforementioned rising demand to see and listen to Nineteen Eighties music once more amongst the final populace, not solely of Canada, however all through North America and particularly over in Europe and the UK. Just a few people have come and gone from the band’s lineup, however over the previous couple of years it has been steady, and the onstage synergy between them makes for a joyfully enthusiastic present night time after night time.
In reality they’re going over to play a variety of reveals and festivals this summer time, earlier than returning dwelling for a run throughout Canada when the album comes out within the fall, together with a primary ever present at Base 31 in Picton, Ontario alongside The Spoons on Oct. 5.
“Followers are just about the identical wherever we go. The European followers are a bit extra excited as a result of we don’t recover from there that a lot. However they’re principally all the identical. They’re all nice. It’s all good. In some locations they’ve totally different favorite songs. Like, in Germany, there’s a few our songs which can be type of underground classics and all these German followers are saying, ‘I hope you’re taking part in that one.’ One is a music known as ‘Safety’ which was on our first EP [Folk of the 80’s, in 1980.] So each time we play sure locations in Germany I get a deluge of followers asking us to play ‘Safety.’ And it makes us really feel good as a result of we’re so used to folks asking for ‘Security Dance’ and ‘Pop Goes the World,’ that every time they ask for one thing totally different, it’s a very cool feeling,” he mentioned.
Doroschuk was born 67 years in the past in Champaign, Illinois alongside together with his youthful brothers Stefan and Colin. Their dad and mom have been Canadians of Ukrainian extraction who have been dwelling within the U.S. whereas Eugene Doroschuk was engaged on his PhD. The household moved again to Canada when Ivan was 5 when Eugene acquired a instructing place on the College of Montreal, whereas mother Betty joined the music college at McGill College instructing classical voice. The Doroschuk household was immersed in music 24/7 so it’s not stunning that it has dominated Ivan’s life.
Whether or not it’s due to the timelessness of the music he’s created and the sheer pleasure he places into all his compositions and the positivity he exudes out into the world, Doroschuk onstage is equally timeless and ageless, bouncing with an power, and singing with an enthusiasm that may put many entrance folks half his age to disgrace.
“I really like being onstage. It simply find it irresistible. It’s one thing the place I type of get right into a zone and the opposite members of the band have a tough time speaking with me generally as a result of I’m so centered in my zone. However I’ve additionally needed to care for myself too. I imply, I needed to. I had to surrender all of the partying, the loopy life-style. I gave that up fairly some time in the past,” he mentioned with a chuckle.
Turning to the topic of his band. It’s all the time been a household affair for Males With out Hats because the beforehand talked about Colin and Stefan Doroschuk have each had prolonged tenures within the band. Stefan was there from 1979 by way of 1993 and once more in the course of the temporary revival of the band within the early 2000s. Colin was within the band from 1979 to 1986, then again once more from 1990 to 1993, returning once more in 2020 (though at present on hiatus after accepting a instructing place, additionally in Victoria). Alongside him, is his daughter, and Ivan’s niece, Sahara Sloan, who performs keyboards and gives background vocals. Drummer Adrian White has been with the band since 2018, whereas Sho Murray, the band’s guitarist and onstage band chief, joined in 2016.
“Colin was within the band with me till a few years in the past. He acquired a place as the top of the voice division on the Royal Conservatory right here on the town [Victoria]. So he determined to take a break from the band, so his daughter stepped in to take his place. And he or she’s a classically educated opera singer too. So it’s fairly superior. After I introduce her onstage I inform the gang I used to hold this little lady round in a pouch on my again, and now she’s onstage with me. It’s an excellent feeling to be taking part in with household and to have one other era of musician up there with me,” he mentioned.
“Sho Murray was in a band known as ShoCore, which was a Canadian band out of the west coast right here for some time. They’d a number of hits and he’s been my predominant collaborator within the band for some time now. And the drummer, Adrian, performed with bands like Frontline Meeting and SNFU, so he’s our resident punk rocket. Strapping younger lads each.”
For extra info on Males With out Hats, upcoming tour dates and the brand new album, go to
Jim Barber is a veteran award-winning journalist and writer primarily based in Napanee, Ontario, Canada, who has been writing about music and musicians for greater than 30 years. Apart from his journalistic endeavors, he works as a communications and advertising and marketing specialist and is an avid volunteer in his group. Contact him at jimbarberwritingservices@gmail.com.
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