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Digging Deep into the Coronary heart and Thoughts of an Artist: Rik Emmett’s TEN TELECASTER TALES

May 29, 2025
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Legendary Canadian musician/songwriter Rik Emmett has just lately launched an insightful and compelling new ebook, Ten Telecaster Tales, a companion to a brand new authentic album of solo guitar music. – Picture by John Blacker

By Jim Barber

Creators gotta create! An individual’s age, stage of capability, medium, style, socioeconomic or cultural background is irrelevant. In case you are born with an intuition to make ‘one thing’ authentic and put the sweat fairness in to honing your abilities by infinite hours of trial and error, follow, episodes of failure and rejection – that irrepressible want to specific what’s inside you to the skin world won’t ever stop.

For legendary Canadian musician/vocalist/songwriter Rik Emmett, his inventive intuition has actually taken him world wide, in entrance of thousands and thousands of followers, emblazoned on the covers of rock magazines and alongside trade heavyweights equivalent to Van Halen, Judas Priest and The Scorpions. Later, after transferring on to a solo profession, he saved travelling, this time to jazz and blues golf equipment, intimate theatres, guitar festivals and group halls (yay, Tamworth, ON!) sharing his love for all the pieces six string. Rock, blues, classical, clean jazz, Americana, flamenco – Emmett’s insatiable want to discover and specific himself by completely different kinds and genres was ever-present.

He nonetheless likes to doodle little cartoons, used to write down a extremely revered and extensively learn column in Guitar Participant journal, has taught group faculty as a songwriting and music enterprise teacher, been a clinician and workshop host. So though it appeared Emmett was ‘slowing down’ upon saying his retirement from touring in 2019, he was merely following that intuition, that impulse in a brand new and revelatory path.

This option to spend extra time in his personal mattress got here on the heels of a dynamic and prolific near-30-year post-Triumph profession that noticed Emmett launch a dozen albums underneath his personal title, three along with his Strung Out Troubadours acoustic venture with Dave Dunlop, his one-off exhausting rock album Liberty Manifesto with longtime pal Mike Shotten underneath the moniker Airtime, in addition to his later rock enterprise, RES9 (2016) and even an album alongside grasp guitarists Oscar Lopez and Pavlo referred to as Trifecta in 2007.

Clearly, the Music by no means stopped, however its manufacturing turned extra solitary, extra considerate, extra introspective: witness his 2020 venture, The Bonfire Periods.

However then within the wake of the COVID pandemic, and partially due to it, books began to seem. First there was Reinvention a ebook of poetry launched by ECW Press in 2021, adopted by his autobiography, Lay it On The Line: A Backstage Cross to Rock Star Journey, Battle and Triumph in 2023 (ECW), and lastly (for now) his present work, Ten Telecaster Tales, which has been described as “essentially the most complete try at liner notes within the historical past of instrumental fingerstyle guitar,” additionally on ECW Press. Even a battle with prostate most cancers and the passing of shut members of the family didn’t inhibit Emmett’s want to create. It almost definitely pushed him to discover his creativity on a deeper stage.

That’s three books in a brief span of time. Which isn’t dissimilar to the literary output of one other Canadian music icon, Geddy Lee, who’s about to publish his third ebook later this 12 months (one was about his bass assortment and his love for the instrument, one other was his autobiography, My Effin’ Life, and the newest is on his ardour for baseball memorabilia.) In each situations, a mixture of motivations was at work – a have to create one thing of substance and relevance, and a want to begin to cement one’s legacy within the firmament of standard tradition.

The distinction between the 2 icons is that Ten Telecaster Tales is the companion to a equally titled album, which options 10 authentic jazz-oriented solo guitar compositions from Emmett, performed on a really particular custom-made Fender Telecaster guitar, dubbed Babs, which he not solely commissioned however participated closely in its design.

The music portion for the venture was born and nurtured in Eli’s Loft. That is the title of the brand new studio Emmett, who turns 72 in July, and his spouse constructed of their Burlington, Canada residence [read the book to find out the story of the name], one which required in depth renovations to the household domicile, however which received Emmett out of the basement and into the pure mild, because of some giant home windows, making a vibe extra conducive to contemplation and creation.

For Emmett, the ebook portion of the Ten Telecaster Tales is a narrative of creation and creativity, of incisive statement and self-examination, in addition to a memoir of an integral aspect of the guitarist/vocalist/songwriter/performer’s life. A want to create a bespoke guitar led to the creation of recent music on that guitar, with the intention of not solely recording and releasing it, but additionally to peel again the layers of how and why instrument, music and ebook got here to be. Therefore the reference to it being a long-form model of album liner notes. Extra concerning the idea of ‘layers’ later on this piece.

There are certainly some intricate deep dives, so guitar nerds (not meant as a pejorative) will love these, though the non-musician could wince a bit bit, as a result of it is extremely very similar to studying one other language. On the similar time, Emmett all the time brings the narrative again to one thing relatable, typically invoking actual life examples from his previous historical past with Triumph, his solo profession and even his youth. So Ten Telecaster Tales, the ebook, is ideal for Rik Emmett followers, those that recognize an in depth examination of how songs come collectively, and those that wish to be impressed to ‘nerd out’ with their very own inventive outlet and are on the lookout for some tried and true recommendations on course of, persistence and penning a ebook about it.

“Once I was making albums for the hit parade and hoping that I’d get on the radio, it had its personal type of boundaries and envelopes, shoeboxes, pigeon holes – decide your metaphor. And you probably did what you probably did, however they have been giant audiences. Then slowly however absolutely over the course of my profession, particularly as I grew older, it was like, nicely, I don’t give a shit about that any extra. And, in actual fact, there could also be no viewers in any respect. I used to rise up on my hind legs on the faculty and lecture youngsters concerning the music enterprise and inform them concerning the percentages of standard music and the way it breaks down. And though I don’t know the present analysis, I’m going to guess that rap and hip-hop has a certain quantity of the market. New nation, or city nation, no matter you name it, I suppose it’s going a pretty big share of the American Republican radio market. The extra you go in the direction of jazz otherwise you go in the direction of classical, or folksy, rootsy stuff, you’re stepping into slivers of percentages. And I’ve executed all that over my profession and I don’t actually take a look at it that a lot anymore. I’ve an consciousness of the developments, nevertheless it’s not like I’m going to write down to attempt to goal that,” Emmett informed Music Life Journal.

Cowl of the ebook model of Rik Emmett’s Ten Telecaster Tales. – Courtesy ECW Press

“Particularly, with the Telecaster stuff, I’m going again to my very own roots of what it was that received me taking part in guitar within the first place and why I used to be within the fancy guitar licks. And why I used to be excited by these sorts of guitars and a specific model of taking part in. And I do know there are folks which might be excited by that music, and within the tales about these sorts of parents; I do know that exists however is it driving the market now? Not an opportunity. Not even shut. However I don’t actually fear an excessive amount of about chasing the market. And it’s bizarre when one thing like Hockey Night time in Canada taking part in ‘Lay It On The Line’ through the playoffs as a result of I get all these folks popping out of the woodwork telling me my music is on the radio. Once more, it wasn’t on the radio. It’s in a business, however in a method, it’s ‘on the radio’ once more. And so this viral factor begins to occur and it feels bizarre, the best way life goes. As a result of I’m the man that type of was once the man and, sure, I’m in some Partitions of Fame, and Walks of Fame and Halls of Fame, so I suppose there’s a sure worth in what it’s that I write and what I give you creatively, however I don’t assume it’ll ever have the burden that occurs while you write an anthem like ‘Lay It On The Line’. That’s a a lot completely different factor than for those who’re penning this very type of introspective factor about 10 instrumental guitar items on one electrical guitar.

“I’m type of making one thing the place it’s not like ‘we’re not simply going to have a look at the lint in my navel, we’re going to get out the microscope.’ And I do know that there’s one thing self-indulgent about that, and I’ll grant that, you realize, it’s not going to be for everyone. And with the world the best way it’s, the place we’re seeing the entire nation south of the border actually unravelling their ethical material underneath the pretext of being God-fearing of us, it makes me wish to write poetry [a second book or poetry is actually on its way.] It makes me wish to decide up my guitar. So there’s a muscle that I do wish to flex, which is one that’s an artist type of factor.”

As marketed earlier, there are a variety of key themes to the reflections and creative motivations offered within the ebook, which contact on the notion that creativity, as with most issues in life – together with life itself – has layers. A few of these layers are thinly ephemeral, clear and simply recognized, others extra murky, impenetrable and found solely by a rigorous, contemplative course of.

“Once I was a child and I received a guitar, I’d be taught a number of chords. Then I began to write down a tune, after which  l performed the tune for my mother. And so this entire factor began to occur the place this non-public pursuit, this inventive enterprise, it’s beginning to have lyrics and melody and concord and all this stuff and now, oh, there’s a efficiency facet, and now this efficiency is being rewarded as a result of my mother is there, like, ‘oh my beautiful golden son, you’re a genius. You’re wonderful. You’re nice.’ So now you’re getting this constructive suggestions and all of this stuff are dynamic layers of what’s type of natural course of. Finally you notice, ‘ah, that is the way it works.’” Emmett defined.

“Later in life I’m in faculty school rooms attempting to show youngsters about songwriting and I’m attempting to get them to know that for those who don’t put one thing in danger on this work, for those who don’t put one thing of your self right here, the place you’re type of getting bare and out on the wire, and there’s no security web, it’s not making it compelling for the viewers. That’s what actually makes it work. In order that layer, which is the mechanics of songwriting, that’s received nothing to do with it. But when I’m instructing you concerning the soul and the spirit of it, that’s what you actually should attempt to dig down and discover. And the rationale why you do that’s as a result of typically a magical, mysterious factor occurs to make it particular.

“I keep in mind listening to an interview with Leonard Cohen and the interviewer asks him this actually intense query concerning the course of and Leonard mentioned, ‘look, if I knew the place the nice songs come from, don’t you assume I’d go there extra typically?’ Like, yeah! So there needs to be a component of thriller to the method. I can sit right here and we will have a dialog about course of however typically the entire course of on this planet, the entire information of the method on this planet isn’t going that will help you when what you really want is a few of that fairy mud to only type of come out of the sky.”

What Emmett is speaking about is one other key thematic ingredient to the Ten Telecaster Tales venture – the magic, the thriller, the fairy mud – is reality. Elemental, core, unvarnished reality, which Emmett contends is a extra highly effective ingredient in comparison with extra esoteric and subjective ideas like ‘authenticity’ and ‘integrity.’

“Once I was a child and I used to be going to church each Sunday and singing within the choir, faith was a factor that mattered quite a bit to my mother. Once I misplaced my faith, it was as a result of it simply didn’t ring with the integrity of an genuine reality for me anymore. The entire thought of an afterlife appeared to me to be identical to tales about Zeus. It simply appeared prefer it was tales and it wasn’t genuine reality. And naturally that was at a time the place there was stuff just like the Vietnam Warfare the place the ‘reality’ was performing on an entire different stage,” he mentioned, warming to the topic.

“Authenticity and integrity have turn into buzzwords, proper? We’re right into a scenario the place, culturally, a few of these phrases turn into extra like slogans. And while you’re attempting to resolve what it’s that you simply wish to have in your work, the opposite issues, the thought of integrity and authenticity, they’re extra like self-evaluations. You’re saying, ‘that is me. That is all about me.’ And naturally while you’re writing songs and also you’re writing books that’s what you’re doing. However reality is extra of a common factor. I need reality within the story. I need reality within the newscast. I need reality from in every single place. I used to be being interviewed on a morning radio present in Edmonton. And due to the truth that I wrote the tune ‘Lay It On The Line,’ and since that was additionally the title of my autobiography, she requested me, ‘Rick, what’s ‘it?’ within the context of the title. And I mentioned, nicely I feel it’s reality. That’s what the man within the lyrics of the tune is asking for, ‘the reality will just do advantageous.’ Thanks very a lot, I’ll simply provide the reality. And that seek for the reality, I feel, is why some folks get into the regulation; that’s what they’re on the lookout for. I feel those that get into faith, that’s what they’re on the lookout for. I feel folks that actually deeply get into music, that’s what they’re on the lookout for. Artwork, poetry, music, you’re simply on the lookout for reality. So, if that’s what it’s, and that’s what you’re about, then you’re in all probability going to be an individual of integrity. If that’s what you actually care about, you’re all the time going to be strolling and appearing as your genuine self.

Rik Emmett. – Picture by John Blacker

“However there’s ranges or layers to that too, returning to the thought of layers. That’s to not say that I’m the identical genuine self once I’m alone with my spouse, once I’m with my grandchildren, once I’m assembly my neighbour and we’re speaking concerning the fence line. In social conditions, your genuine self needs to be modified given the circumstances and that solely makes fully, logical, sensible sense. There’s this entire factor about ‘logical’ and ‘sensible’ that enters into the entire dialogue about reality. Am I going to inform anyone they’re actually ugly? At a sure level it’s going to be counterproductive.”

In lots of philosophies, the idea of three, the facility of three is a strong talisman: the steadiness created with having a three-legged stool is used to show entrepreneurs, there’s the Holy Trinity in Christian theology. And naturally two of Canada’s most vital and profitable bands, have been trios – Rush and Emmett’s former band, Triumph. The idea of triangulation and needing every ‘leg’ of the stool for an entity, or thought to face, additionally involves the fore all through the Ten Telecaster Tales ebook, notably within the context of music and songwriting.

“If you’re a instructor, as I used to be for some time, and also you’re doing analysis so as to have the ability to preach in entrance of your class, you notice that, oh my God, there’s nothing authentic on the face of the earth. I’m not very authentic in arriving at these sorts of ideas however the thought of triangulation was all the time an natural factor for me. After which one time I used to be on a panel for the Songwriters Affiliation of Canada throughout Canadian Music Week or one thing, and Invoice Henderson [founder/vocalist/songwriter for Chilliwack] was there, and he talked concerning the ‘magic quantity three; three verses, three choruses, the magic of three.’ And I knew he was reinforcing what I had already identified and felt. Even once I was describing one thing to my spouse, I’d attain for 3 adjectives and she or he would all the time say, ‘why do you all the time should attempt to inform me the right way to construct a watch. I solely wish to know what time it’s?’ And it’s as a result of I wish to be full. I wish to guarantee that I’ve type of corralled the thought and I would like three issues so as to construct that corral – so as to construct the triangle,” Emmet mentioned.

“That’s the best way I like to think about it, even when it’s a flowery method of going about issues, nevertheless it’s what I personally like. However, and right here we go once more, there’s reality behind that method for me. The three-sided factor, the legs of a stool, and even a speech professional would say to inform folks what you’re going to inform them, inform them, after which inform them what you informed them – three. It’s in artwork, it’s in storytelling, it’s in all the pieces.”

As talked about above, Emmett retired from touring in 2019, simply earlier than the worldwide pandemic would have put the kibosh on touring in any case. Household has come to the fore, particularly since he has misplaced important members of the family lately and needs to spend as a lot time as he can with these he loves – notably his spouse, youngsters and grandkids. Music is vital, nevertheless it won’t come at the price of time, effort and engagement with the people who find themselves closest to him.

“I’m fortunate to be a grandfather. It’s a extremely lovely, wonderful factor. Simply the opposite day I noticed this text concerning the well being of seniors, and it’s a indisputable fact that for those who reside near your grandchildren, to be able to get to go to them and see them typically, you’re happier and also you’re more healthy and you reside longer. So there’s sure issues that at the moment are extra vital. My spouse loves gardening, so we went to the backyard centre the opposite day and dropped a number of hundred {dollars}. I didn’t do any planting however she did, and the following day I walked across the backyard and thought, ‘oh my God, that is simply so lovely. That is so beautiful,’” he mentioned.

“These issues are compelling me increasingly and the thought of chasing a profession or a piece vocation, isn’t as interesting. I simply did a few reveals on the Redwood Theatre in Toronto as a result of I wished to play the songs from the album reside to ensure that this to really feel 100 per cent actual to me. However I understood that I used to be going to should run the gauntlet of performing all 10 items. After the primary present bought out, we added a second, and when it bought out they requested if I wished a 3rd. However I mentioned no, as a result of two of those is already pushing the envelope, and I used to be undecided the stress and the anxiousness of it will be one thing that I may deal with. It was a take a look at in sense. I wished to do that reside gig, do a factor and the way a lot was I going to take pleasure in it? And I did prefer it, however how a lot do I wish to do it once more, and once more? That’s the query. Proper now, I’m going to spend a few weeks simply puttering across the backyard and doing this advertising and marketing and promo for the ebook and blah, blah, blah. And I’m simply going to attend and see if I really feel like doing one other present. I’m in no hurry. And I’ve a sense when a choice comes, I’m going to land on the aspect of spending time with my grandkids.

“You recognize, tonight is trivia evening on the Lion Coronary heart Pub in Meadowvale [Mississauga, Ontario]. I’m with my daughter and her sister, my son-in-law and their aspect of the household. The eight of us are the Binge Thinkers workforce on trivia evening. And you realize, I’m going to drink a pint and I’m going to eat meals which will or is probably not good for me and I’m going to only do issues that almost all of us take with no consideration. I spent too many a long time of my life not understanding the worth of that stuff.”

It will be remiss of the author to not contact a bit extra with regards to Emmett’s band and bandmates in Triumph. As he talked about earlier, the band has seen a exceptional renaissance and heightened consideration, incomes its rightful place as an vital a part of the Canadian musical panorama. These embrace enshrinement in The Canadian Music Corridor of Fame, The Juno Corridor of Fame, Canada’s Stroll of Fame and the Canadian Music Trade Corridor of Fame. After 13 years, the band break up in September 1988 after taking part in a daytime live performance on the Kingswood Music Theatre at Canada’s Wonderland simply north of Toronto, and Emmett, drummer Gil Moore and bassist Mike Levine, as soon as as shut as brothers, turned estranged as a result of authorized entanglements and exhausting emotions that resulted.

Emmett and Babs onstage. – Picture by Jeanine Leech

By 2007, fences had been mended and the three resumed their friendship and brotherhood, though there was nonetheless a type of separation by way of the enterprise operations of the band. Solely two ‘reunion’ reveals have been performed in 2008, one at Sweden Rocks and the opposite at Rocklahoma in Oklahoma. A brief set was performed in 2021 on the premiere of the documentary Triumph: Rock and Roll Machine, however in any other case there are not any plans for Triumph to go on the highway as Moore, Emmett and Levine once more. (TEASER: Keep tuned for Music Life Journal’s interview with Moore, coming in early June to be taught extra about what IS taking place with Triumph.)

“On the time I simply couldn’t perceive it, I couldn’t abide what had occurred. So it’s good to get to the purpose the place you’re again. I get the entire foxhole brother factor again. And now after we speak about one thing, we will simply be ourselves once more. The shit that we went by isn’t between us anymore. It’s evaporated, it’s gone and that’s a very nice factor. You may be genuine [there’s that word again.] And I get to understand the genuine Gil once more. And hear, I think about myself to be a reasonably clever, articulate, perceptive type of man. Gil Moore is essentially the most persistent, bold, pushed man that I’ve ever identified – like, ever!’ Emmett mentioned.

Exercise on the Triumph entrance continues apace because of the approaching launch of a brand new tribute album Magic Energy: All Star Tribute to Triumph (Spherical Hill Information) which options an unimaginable array of visitor performers, together with Sebastian Bach, Gowan, Mickey Hart (Starship), Coronary heart’s Nancy Wilson, Alex Lifeson’s new venture Envy of None, in addition to Joey Belladonna of Anthrax and even Slash.

“That’s a fairly good pool of proficient individuals who performed on it. I haven’t heard all the pieces but, however I’ll give it an open thoughts. As a result of what you must perceive is that persons are going to strategy it from their perspective,” he mentioned.

As Emmett himself has written and sung, music is ‘not only a recreation of notes, it’s the sounds inside your soul.’ (‘Maintain On’) and music continues to feed the inventive hearth inside, for the enjoyment of these of us with out. The motives to create are primarily the identical as they have been for him again within the early Seventies when he was studying his craft, being impressed by the likes of Ed Bickert, Dominic Troiano, Roy Buchanan and others, however stripped again to the naked important of what makes him comfortable, what feeds him, what satiates the starvation in his soul.

“I’m on the level now the place the profession means nothing to me. However the passion of constructing music means all the pieces. I’m just like the previous man who spends hours constructing practice units in his basement and simply loves it. And it’s like, ‘I’m going to place the conductor over right here, and I’m going to place this tree simply over there.’ There’s a way, and I don’t wish to sound too highfalutin’ right here, however I used to be born to play guitar and make music and write music. It’s what life delivered to me, and it was additionally what I chased round and broke my ass attempting to do. And perhaps I’m nonetheless good at this. Definitely, there’s stuff that I perceive about it now on a stage that your common 19-year-old child doesn’t,” he mentioned.

“And it’s not like I don’t keep in mind what it’s prefer to be that 19-year-old child. I do. And there’s sure issues about having ambition and testosterone – I don’t have as a lot of it as I used to, however I keep in mind what that’s like. And life has an fascinating method, for me, to ship me to locations the place I’m going, ‘I didn’t see that coming.’ I notice there’s a sure positioning that I’ve due to my profession, the place I can reap the benefits of it and folks will discover what I’m doing. Folks will wish to have conversations with me, and I can promote and market this stuff.

“There’s that a part of me that’s asking, can I do that on a stage the place I’m going to be happy with what I’ve executed. And with the books that I’ve written, I do consider them sitting on a bookshelf and that my grandchildren and perhaps my grandchildren’s kids may assume, ‘I ponder what he was like? Let me learn these books and see if I can get a way of him.’ So for positive, that’s legacy stuff.”

For extra info on Emmett and Ten Telecaster Tales, go to

Jim Barber is a veteran award-winning journalist and writer based mostly in Napanee, Ontario, Canada, who has been writing about music and musicians for greater than 30 years. Moreover his journalistic endeavors, he works as a communications and advertising and marketing specialist and is an avid volunteer in his group. Contact him at jimbarberwritingservices@gmail.com. 

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